Oscar-nominated writer, director, and producer, Dan Gilroy (ANDOR, NIGHTCRAWLER) will select one winner to receive a phone meeting and provide industry insight.
Signed with Agents and Managers
"When my horror film MOSHARI won the SXSW Grand Jury [Award], I was suddenly thrust into a lot of attention. Agents, managers, general meetings. As a Bangladeshi filmmaker and an outsider, I was honestly overwhelmed. ScreenCraft was so supportive in that journey, ever since I became a Film Fund finalist. [A ScreenCraft Writer Development Executive] and I sat down multiple times. He connected me to some amazing reps as well. We made pros/cons lists, brainstormed strategies - it was just super cool to have a neutral perspective. Made this journey much easier."
Signed with a literary manager
"Originally, I was super drawn to the film fund since our short film needed some additional finishing funds, but the more I looked into ScreenCraft, I really became drawn to the community and networking opportunities. I feel truly grateful to be part of this network of artists and development personnel - it was not disappointing. I feel very seen, heard and supported, not just in this current endeavor but in my future ones. [They] truly care about the artist and their futures. The team at Screencraft felt so helpful in vetting and helping me craft a process that would ensure my goals and needs were met. I really feel I can carry that knowledge into any meeting or situation I meet in the industry. I’m really grateful for that. "
Attached a Producer to her project
"I had placed in a couple competitions and nothing had come of it, and I started looking for ones that had readers from the industry that I was excited about and ones where the prize was actually useful to me, ie: mentorship, feedback, advice for where I was at specifically. I entered the ScreenCraft Drama Competition first, and made the semifinals. Worked on the script more, entered in the ScreenCraft Feature Competition the following year and was a finalist and a runner up. I knew the script was getting better with each rewrite, but I didn’t know what to do to get it into the right hands. The Feature Competition was a great help because I had one on one consultations with [ScreenCraft], who had me put together lists of production companies, agents and actors I wanted to work with on this film specifically. He encouraged me to do an extensive lookbook in order to prove that I had the vision to direct this film as well, and guided me on that book to completion. When, through other means, I was able to attract producers to the script, it was the lookbook that convinced them I could also direct, and should be the one to do so. If you are willing to do your own work, with someone to guide you and offer thoughts and advice along the way, ScreenCraft really helps, as they invest in people who invest in themselves. They won’t do it for you. But they’ll guide you as you move forward so you don’t feel lost and alone in the journey."
Film world premiered at 2022 SXSW Festival
"Screenwriting can be a long dark journey, ScreenCraft has been a source of light providing inspiration, helping me to set new goals and providing much-needed monetary support through their grant program. ScreenCraft promoted my project and helped me to share my work with agencies, technicians, and film supporters to broaden my network of collaborators. "
Signed w/ Chervine Naamani at Rain Management
"Screencraft has always been such a supporter of film, and indie film in particular, so the chance to apply to the film fund was a no-brainer. We were in a position where our film, Land of Gold, was financed and needed some help getting over the finish line, and we really felt that Screencraft would respond to it. ScreenCraft has been so instrumental in helping me navigate this big career moment. We received funds to help finish Land of Gold, but more importantly, I received really lovely career consultation. So many doors have been opened, and with ScreenCraft’s support, I've had meetings with representation that really responded to my work. Folks that actually understood what I am trying to do, which is, unfortunately, a rarity in this business. It's all been so positive, and the process lead me to Rain and Chervine Naamani, who I'm excited to have just signed with."
Signed with a Literary Manager
"I honestly didn’t know much about Screencraft. Frankly, I’m always leery of “online contests.” I have to say now that I’ve worked with Screencraft it’s been a wonderful experience. Screencraft was helpful when it came to deciding representation. [They] very patiently listened to me weighing various opportunities, and sometimes, when you’re figuring out this kind of thing, all you really need is someone to listen. "
Film produced by Buffalo 8 after they discovered it through the ScreenCraft Film Fund.
"I had been offered two option agreements at one time from a well known production company in Canada but I was not going to be guaranteed a writer's credit for scripts I wrote. I turned down the offer and never regretted it. It just meant, the journey was going to be a little longer. The money didn't matter to me, receiving a writer's credit for a script I wrote was more valuable to me. I was never at a place that I was going to actually give up, it was more like a sign that I needed to take a break from the business so that I was coming from a place of feeling inspired again. Writing comedy is a lot of fun so as long as I was having fun that was all I needed to keep me going. I also like to set creative challenges which came in handy for writing a horror/thriller . What also motivated me was when a Screen Craft competition is coming up for a particular genre I write for. This super charges my energy. And of course, the breakthrough moment is the ultimate motivation. I am very excited to announce that I am currently in development with my very first comedy feature, Life of Groupies which is being produced by Buffalo 8. "
Signed with a literary manager at Bauman Management
"As writers it’s always challenging to distinguish yourself from others. I think ScreenCraft does an excellent job of encouraging and identifying unique talent and can put them in very advantageous situations which in turn breeds success."
Project picked up for distribution by UrbanflixTV.
"The biggest obstacle to reaching my screenwriting goals was getting to/through the gatekeepers. As writers, we’re great at practicing the craft, but getting your work out there can often prove to be the harder part. Learning to advocate for yourself and persevere through the “no’s” is really hard. I was interested in the ScreenCraft Film Fund to earn finishing funds, and though we didn’t win, making it to be a finalist was a nice talking point to help legitimize what we had. My first feature film is currently playing in festivals and is set to debut exclusively on UrbanflixTV this fall. I’ve got another feature in development that I’m looking forward to getting started on in the next year. "
January 22 | by Ken Miyamoto
The rite of passage for any filmmaker is making that first short film, which is where filmmakers cut their teeth and truly come of age. They...
November 30 | by ScreenCraft
Nick Taussig is the author of four novels: Love and Mayhem, Don Don, Gorilla Guerrilla, and The Distinguished Assassin and a BAFTA-nominated film producer. His...
August 7 | by Rebecca Norris
Attention screenwriters and filmmakers! If you have a short film you haven’t yet released, or one that’s collecting dust because you don’t know how to...
January 12 | by Ken Miyamoto
Last year, ScreenCraft launched our inaugural short screenplay competition and we were stunned by the sheer quantity and quality of submissions received. It made us want to...
The winners will be chosen based on the following criteria
Criteria for Winners and Finalists:
Final Deadline in 23 days